Sophiaslogos
Only the symbolic, a new signifier, can change the dominant law.
You can only go as far as walking will take you
we are moving, in Philadelphia if
you bare the agony, we draw the city’s streets she wore murals on her face tool box he carried polyhedrons a triangle is the sum of its parts half sister, we
drew her into fragments
gipsy sense lunar eclipse turn off the lamp subway
ride here in the radius time becomes
circumference after
hoyt schermerhorn and Bedford nostrand you feel a split he cut her in two until the journey
fragmented no, we are not new
york we are not san francisco we
are not 2nd avenue
you, beneath the waterfall you,closing
the lights, soft juniper regicide the throne is all malaria, Lassa Fever
Maiden Wire, calendars hung on tiny nails back bone she had string
in her hands making
knots, calvary winds pass and the urge to know summoned feelings kept in
spine time
enough, her lucid singing makes rowboats disappear we are moving, under the awnings of
neon deli signs
we are moving, in a train through Zimbabwe we are moving
through Bangladesh jewelry counter, two silver necklaces and
clasps each and every starfish in the harbor
fell into an opening chasm of sea dust father
please give me motion enough so I can
face these earth toys ministerial organ death
hum: thrum
real order regicide plague you
spider plants: we spread our arms to cover child’s
spills she places her milk, like the open sky, on
harmony before sunday she
relaxes the silence between water and milk
He sets up navy yards. They
fight over her sea. I can only see him
stand up. Other times,
in the back corners. She would
carry. Over the last
moment. She would drag. I could only see him looking down. Other times, in the alleys. He said the toolbox is a sum of its
parts. He pulled out his hammer, started
constructing the earth. He put in pieces
of mirror.
Open to tell the wilderness, unfurled, the poison is the spring is
the jungle is the beach town bush
out of her mouth flew the planes of Russia Sundials over the desert and we cry
Doppelganger: addition
we rule out the other we can project millions of tables and
chairs you repitition we can
million project chairs and we can million tables this chair
Aurora borealis blessed virgin cable vision television,
like lions like megalomania like
arbitrary halloo like
natural language
they prison toe we
semen flow the calculated years we
hang our semen with nails
His voice through loudspeakers. We hear him in our heads. Kyrie domine. He feels her in the leaves. She spills out crustaceans. When his key ring disappeared they questioned
the military. The judge and coordinator
of the army came and commanded, “you must untie your
ships and undock.”
before we hang lamps over highways airplanes
hang over the tired infinite standing sea
before gipsy sense they left the old ones and
grabbed sky time with calendar hush, they rolled abacus beads further along the
yellow line
like Mendel’s law we imperfect our diaphanous muck a muck imperative downturn
we imperfect diaphanous
we move away from
breeding
before the glitter bags fall into the palms of
virgins. we
destroy glory but only if they salve maria, sal-vay maria. can you barrier the
ocean can you dam up
lord chancellor Nazarene unraveling enraptured fireweed issachar sheep
skin grace note corpus juris
vernal seraphim
it gets so hard to speak in a roomful of darkness, yet the
lights come on, and there’s
a roomful of noise:
vibrato wavers lake
feed famine plague trees
six million times to lay your boat on marshy land cesspool
sod enough earth
benching
break through mud, waver or plant six
children in desert sand wear crowns tilt felt hats
silver eldorado fire can’t be smog candles can’t be ancient moss
its time to rest.
undermine:
under lanterns, streets shine and harbors shine and all clouds
mysteriously amber untangle the stolen goods of miserly wombat politicos
relief relief relief san quenten relief
design prison doors
relief.
we project millions of tables and chairs. you repetition. we project millions
of:
basketweavers clamoring to basket the earth. tidal spring wood
around the whole world. O clamor to keep
our planet wooden. twigs
on each ocean front. a
wicker basket steeple. wooden men. silver people. golden henchmen who razzle dazzle television strings holding
earth womb milk basket gravy chain.
remember dream lags wore down to coal mining
meet beside the golden trees
there are precious metals there: hesitate before mating
season. stars
don’t mate in their beds. they wilt or rejuvenate.
several prayers later and still no abraham still
no naval yards lined up, they
quicken their holy moses until fifty oceans meet cajoling
He placed precious metals under the earth. You repeat:
he picked up his hammer, started constructing the earth.
you repetition –
of bastard lands,
such carnivals, rye
fields,
fool hardy in airport waiting areas, zen archery,
the solemnity of
mary this Saturday so I perfume my feet,
gipsy sense, sky
time,
such calendar hush
in many mansions, ha shem,
proton mysterion, malillumination
you repetition –
repetition –
in the beginning, in the end, he turns her clock-mast, time
controlled, weather device and
clears room for calvary winds to pull down streets so
vibrantly
on the last day, we collapsed inward, noticed perigee, and
heard earth mites singing in
death row chamber-ed cars
on the last day, we vanished until cyclones lifted their
blueprint memories, you
repetition,
the final day,
we birthed wings, out wheel
out ///// oracular
equinox
vernal seraphim
dry up your seaweed laden lottery numbers you have approval to move despite those
forces that intend to lock you in your orchard yard your hands quickly aging many
mansions alive like never
before
you repetition:
under the ocean
looms the last vagrant
mirror grown dark
through visions, rotation
I repetition: